selected clips
- on Ross Lipman’s Archival Impermanence Project for the Brooklyn Rail 
- on ‘GriefTech’ in The Shrouds, Invention, and Severance for Little White Lies 
- on the alleged last allegedly human movie star for Bright Wall/Dark Room 
- on film restoration after film for the Brooklyn Rail 
- on I Shot Andy Warhol with Mary Harron for Screen Slate 
- on Workers Unite! Film Festival 2024 for Screen Slate 
- on Nancy Drew’s unknowability for LitHub (co-written) 
- on Susan Skoog’s Whatever for Hyperreal Film Journal 
- on Tom Cruise’s self-defeating star image for Little White Lies 
- on the Bay Area’s new experimental feminist film series for Screen Slate 
- on director Tabitha Denholm’s “Women Under the Influence” screenings for Broccoli (print only) 
- on The House of Mirth for Screen Slate 
- on women’s lands and language for Public Books (collectively written) 
- on Slither for Screen Slate 
- on SF’s annual artist-made film festival for Screen Slate 
- on Bloody Nose, Empty Pockets for Interview 
- on David Hockney: Drawing from Life for Interview 
- on Dorothea Lange: Words & Pictures for Interview 
- on Brooklyn’s Dolly Parton Look-a-Like contest for Interview 
- on Best Coast’s Bethany Consentino for Interview 
- on Yael Farber’s gender-bent Hamlet for Interview 
- on Tennis’ Swimmer for Interview 
- on Fefu and Her Friends for Interview 
- on Jane Fonda’s at-home workouts for Interview 
- on Cat Marnell’s second memoir for Interview 
- on Lloyd Ziff’s Patti Smith portraits for Interview